AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: LÁSZLÓ BAKÓ.
DOI: https://doi.org/10.24193/theol.cath.latina.2017.LXII.1.03
Published Online: 2017-06-30
Published Print: 2017-06-30
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The present article represents a musico-theological investigation into the Tuba mirum of Mozart’s Requiem (KV 626). The research consists of two parts. First, we examine the text in its liturgical context (Dies irae), pointing out its theological meaning. Second, we analyse the characteristic features of the music. We aim to show how, through the brilliant musical composition, Mozart has interpreted the text of Tuba mirum. It is argued that the various musical components, such as the trombone solo, stress the theology expressed in the text.
Keywords: W.A. Mozart, Requiem, Sequence, Dies irae, Tuba mirum, [Theology of] sacred music.
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